Editing II
BWR302
Build on foundation editing skills, learning to work with text and non text elements such as images, layout and design.
Course Fee€608.00
Statement of Attainment100 hours8 lessons
8 LessonsAbout this course
This intermediate course develops your understanding of editing beyond the basics, covering how editors work with text as well as non text tasks such as images and layout. You will build on the skills covered in Editing I to handle more complex editorial work. Suitable for freelancers and writers wanting to strengthen their editing skills.
In Detail
Take your editing skills to the next level with this intermediate course.
Hone your editorial skills with this intermediate level course. Building on the material from Editing I, Editing II expands your knowledge of text types and the different types of language used within each. This course is an important step in opening your editing horizons, proving the knowledge and practice you need to work with books, features, technical documents, and more. At the end of the course, you'll test your skills with a practical editing project.
Student Testimonial:"I found the course to be extremely helpful. It has given me the confidence and skills to present my work to publishers."~ Dilys
Course Duration: 100 hours
COURSE STRUCTURE
There are 8 lessons in this module as follows:
Introduction to Editing
Scope and nature of editing
Traditional and modern editing
Terminology
Writing job specifications
Refining Text Editing
Common traps
Proofing documents
How much editing, manuscript assessment
Editorial roles
Terminology
Editing Headings
Headlines
Captions
Supporting material
Terminology
Graphics
Line drawings, technical illustrations
Processing graphics
Selection and design with photos
The editor's role
Terminology
Editing and Design
Layout and design
Desktop publishing software
Image manipulation
Matching Style and Context
Targeting the reader
Style
Terminology
Legal and Ethical Issues
Legal and ethical issues in publishing
Copyright
Law and the internet
Libel and defamation
Terminology
Editing Project
A practical editing project to end the course and utilise your new skills.
COURSE AIMS
To review the current state of editing, determining its scope, nature and trends.
To identify and edit text errors that commonly occur in a variety of publishing situations.
To write and edit a variety of different headings and captions.
To select, edit and mark up graphic illustrations.
To edit the layout or design of a publication.
To identify an appropriate style for the context of a publication, and edit the text to match the determined style.
To edit text in order to remove legal and/or ethical risks.
Apply a broad range of skills to editing of a lengthy manuscript in a balanced way.
Do You Know the Language Editors Use?
Agony Column
A regular feature containing items related to personal problems; such as readers’ letters and editorial advice.
Alignment
The ranging of type along its base line and the horizontal and vertical ranging of columns.
Angle
The specific perspective from which an item is written.
Arm
The horizontal stroke or line of a capital letter (eg. P or F).
Artwork
Any type of illustration including a photograph, drawing, or computer generated graphic.
Ascender
The stroke of a lower case letter that extends higher than the height of an “x” (eg. the top half of the letter “b”).
Author’s corrections
Alterations made to text by the author, after the main editing has been finished, but before final printing.
Back bench
Senior editorial executives of a publication (usually refers to senior staff in a large newspaper).
Back margin (or Back)
The inside margin of a page (ie. where the two pages join together).
Banner
A major headline that extends across the top of a page.
Barcode
An optical representation of an ISBN number which identifies a publication. The code is read by a computer.
Blanket
A rubbery sheet that is clamped around a cylinder, that contains an image used in offset printing to transfer that image to paper as it moves through the machine.
Bleed
An illustration is placed on the edge of a printed area, so that when the paper is trimmed, the illustration extends to the edge without any margin.
Block
This is commonly an engraved image on a flat metal plate, which is used to transfer an image when printing using a “letterpress” technique.
Blow up
An enlargement of a photograph or other type of illustration.
Blueprint
Same as dyeline.
Blurb
A description of a book, and perhaps an author profile, printed on the cover or inside sleeve and any publicity material for a book.
Book block
The bound pages of a book, before attaching to the cover.
Box
A section of text or an illustration (or both) ruled off on four sides to create a square or rectangular section within text. Tables, line drawings and “emphasised” statements, such as quotations, are often set in boxes.
Break Out
A second (or further) item on the same page as the main story (eg. you may have several items that are unrelated on the same page, though the page is dominated by one main item).
Breaker
Anything used to break up text in a page, such as a quote or crosshead.
Brevier
An old name used to refer to 8 point type.
Bromide
A print of a photograph, illustration or typeset material made on standard light-sensitive photographic paper; from which an image is taken for printing.
Bullet point
A black mark (eg. A dot, triangle, dash) in front of text to create an effect or highlight – often used on tabulated lists, sometimes on headings.
Working as an Editor or Proof Reader
Anything that is written can probably be improved by editing. This includes:
Articles
Books
Newsletters
Web Sites
Blogs
Marketing Materials
Legal Contracts
Reports (government, business, research, etc)
Editors are employed both because they can bring a fresh pair of eyes to a piece of writing; and because they can save the writer time and money. When anyone writes anything; they tend to get so close to their work that after a while, they don’t readily notice mistakes. An editor is always going to see the material with a fresh pair of eyes, and usually notices things that the writer may be repeatedly overlooking.
Some work may require an editor who is also knowledgeable about the material (eg. Someone who understands both chemistry and editing is needed to edit chemistry).
Editors may perform some, or all of the following tasks:
Improving it’s relevance to the intended audience.
Providing an impartial view before the writing is released to it’s intended reader(s).
If necessary, restructuring content to present it more logically.
Altering the tone or style of language to be more appropriate to the purpose.
Identifying errors or inadequacies in grammar, spelling, clarity and conciseness.
Identifying inadequacies in layout or illustration.
Improving consistency.
WHAT NEXT?
Improve your existing editing skills. Develop marketable and efficient editing skills. Editing is a highly sought after skill. You may use it in your workplace or personally.
Editing is an important skills. If you have a website or blog or write catalogues or information generally, producing high quality, written material is important. How many documents and websites are let down by bad spelling and grammar?
If you want to be an editor - freelance or employer - or would like to improve your own writing and the writing of colleagues, this course is the one for you.
Register to Study - Go to “It’s Easy to Enrol” box at the top of the page and you can enrol now.
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