ACS Distance Education

Editing II

BWR302

Build on foundation editing skills, learning to work with text and non text elements such as images, layout and design.

Course Fee€608.00
Statement of Attainment100 hours8 lessons
8 Lessons

About this course

This intermediate course develops your understanding of editing beyond the basics, covering how editors work with text as well as non text tasks such as images and layout. You will build on the skills covered in Editing I to handle more complex editorial work. Suitable for freelancers and writers wanting to strengthen their editing skills.

In Detail

Take your editing skills to the next level with this intermediate course. Hone your editorial skills with this intermediate level course. Building on the material from Editing I, Editing II expands your knowledge of text types and the different types of language used within each. This course is an important step in opening your editing horizons, proving the knowledge and practice you need to work with books, features, technical documents, and more. At the end of the course, you'll test your skills with a practical editing project. Student Testimonial:"I found the course to be extremely helpful. It has given me the confidence and skills to present my work to publishers."~ Dilys Course Duration: 100 hours COURSE STRUCTURE There are 8 lessons in this module as follows: Introduction to Editing Scope and nature of editing Traditional and modern editing Terminology Writing job specifications Refining Text Editing Common traps Proofing documents How much editing, manuscript assessment Editorial roles Terminology Editing Headings Headlines Captions Supporting material Terminology Graphics Line drawings, technical illustrations Processing graphics Selection and design with photos The editor's role Terminology Editing and Design Layout and design Desktop publishing software Image manipulation Matching Style and Context Targeting the reader Style Terminology Legal and Ethical Issues Legal and ethical issues in publishing Copyright Law and the internet Libel and defamation Terminology Editing Project A practical editing project to end the course and utilise your new skills. COURSE AIMS To review the current state of editing, determining its scope, nature and trends. To identify and edit text errors that commonly occur in a variety of publishing situations. To write and edit a variety of different headings and captions. To select, edit and mark up graphic illustrations. To edit the layout or design of a publication. To identify an appropriate style for the context of a publication, and edit the text to match the determined style. To edit text in order to remove legal and/or ethical risks. Apply a broad range of skills to editing of a lengthy manuscript in a balanced way. Do You Know the Language Editors Use? Agony Column A regular feature containing items related to personal problems; such as readers’ letters and editorial advice. Alignment The ranging of type along its base line and the horizontal and vertical ranging of columns. Angle The specific perspective from which an item is written. Arm The horizontal stroke or line of a capital letter (eg. P or F). Artwork Any type of illustration including a photograph, drawing, or computer generated graphic. Ascender The stroke of a lower case letter that extends higher than the height of an “x” (eg. the top half of the letter “b”). Author’s corrections Alterations made to text by the author, after the main editing has been finished, but before final printing. Back bench Senior editorial executives of a publication (usually refers to senior staff in a large newspaper). Back margin (or Back) The inside margin of a page (ie. where the two pages join together). Banner A major headline that extends across the top of a page. Barcode An optical representation of an ISBN number which identifies a publication. The code is read by a computer. Blanket A rubbery sheet that is clamped around a cylinder, that contains an image used in offset printing to transfer that image to paper as it moves through the machine. Bleed An illustration is placed on the edge of a printed area, so that when the paper is trimmed, the illustration extends to the edge without any margin. Block This is commonly an engraved image on a flat metal plate, which is used to transfer an image when printing using a “letterpress” technique. Blow up An enlargement of a photograph or other type of illustration. Blueprint Same as dyeline. Blurb A description of a book, and perhaps an author profile, printed on the cover or inside sleeve and any publicity material for a book. Book block The bound pages of a book, before attaching to the cover. Box A section of text or an illustration (or both) ruled off on four sides to create a square or rectangular section within text. Tables, line drawings and “emphasised” statements, such as quotations, are often set in boxes. Break Out A second (or further) item on the same page as the main story (eg. you may have several items that are unrelated on the same page, though the page is dominated by one main item). Breaker Anything used to break up text in a page, such as a quote or crosshead. Brevier An old name used to refer to 8 point type. Bromide A print of a photograph, illustration or typeset material made on standard light-sensitive photographic paper; from which an image is taken for printing. Bullet point A black mark (eg. A dot, triangle, dash) in front of text to create an effect or highlight – often used on tabulated lists, sometimes on headings. Working as an Editor or Proof Reader Anything that is written can probably be improved by editing. This includes: Articles Books Newsletters Web Sites Blogs Marketing Materials Legal Contracts Reports (government, business, research, etc) Editors are employed both because they can bring a fresh pair of eyes to a piece of writing; and because they can save the writer time and money. When anyone writes anything; they tend to get so close to their work that after a while, they don’t readily notice mistakes. An editor is always going to see the material with a fresh pair of eyes, and usually notices things that the writer may be repeatedly overlooking. Some work may require an editor who is also knowledgeable about the material (eg. Someone who understands both chemistry and editing is needed to edit chemistry). Editors may perform some, or all of the following tasks: Improving it’s relevance to the intended audience. Providing an impartial view before the writing is released to it’s intended reader(s). If necessary, restructuring content to present it more logically. Altering the tone or style of language to be more appropriate to the purpose. Identifying errors or inadequacies in grammar, spelling, clarity and conciseness. Identifying inadequacies in layout or illustration. Improving consistency. WHAT NEXT? Improve your existing editing skills. Develop marketable and efficient editing skills. Editing is a highly sought after skill. You may use it in your workplace or personally. Editing is an important skills. If you have a website or blog or write catalogues or information generally, producing high quality, written material is important. How many documents and websites are let down by bad spelling and grammar? If you want to be an editor - freelance or employer - or would like to improve your own writing and the writing of colleagues, this course is the one for you. Register to Study - Go to “It’s Easy to Enrol” box at the top of the page and you can enrol now. or Get Advice – Email us at info@acsedu.co.uk OR Use our FREE COUNSELLING SERVICE to contact a tutor CLICK TO CONTACT US

Study options

E-LearningCorrespondenceOnline

Categories

Ready to start?

Enrol Now